Sources of Australian Pop Records from the 50s, 60s and 70s plus some Aussie originals and some New Zealanders
Originals / Covers / Remakes / Songwriters / Chart Positions
In 1960s Germany, singer-songwriter Drafi Deutscher was a chart-topping pop star, but to most Australian pop fans at the time his name would have been, well, obscure.
Johnny Chester's moderate hit Teeny (1963 #28 Australia), with English lyrics by Johnny himself, is a cover version of Teeny by Drafi Deutscher And His Magics.
More than that, Johnny is singing over the backing track recorded for Drafi’s single, and he repeats the procedure on the B-side with Do The Stomp, a cover of Drafi’s B-side Shu-bi-du-bi-do The Slop, again with Drafi's recycled backing track.
The following year, W&G did this again when Merv Benton sang new lyrics by Noel Watson over the backing tracks from both sides of Drafi's single Shake Hands / Come On, Let’s Go.
English translations or rewrites of songs are not unusual. The lady in Mark Holden's I Wanna Make You My Lady (1976) was an angel in the original Swedish hit Jag Ska Fånga En Ängel. You're My World came from Il Mio Mondo, and My Way came from Comme d'habitude.
The idea of recording vocals over the backing track of an original version is not unheard of either. Six months before Johnny Chester's Teeny, Ben E. King's 1963 hit I (Who Have Nothing) had used the backing track from Uno Dei Tanti (1961) the original version by Joe Sentieri.
Other double-sided covers exist, too. In 1957 The Diamonds covered both sides of The Rays’ single Silhouettes / Daddy Cool, and in 1964 Australian band The Cicadas covered both sides of The Marauders' British single That’s What I Want / Hey Wha’ D’Ya Say with some regional chart success.
But W&G's twofold use of the manoeuvre I like to call the double-sided cover version with English adaptation and recycled backing track must be unique.