(Frank Hardy - Gary Shearston*)
Australia
Original released version
#9 Sydney #36 Brisbane #22 Canberra
First charting single by Gary Shearston (1939-2013), on Columbia, from his 1965 album Australian Broadside.
Sydney Town is full of droll cultural and political references (some now obsolete), including The Wales (Bank of NSW, now Westpac), Prime Minister Menzies, the laundry powder Rinso, Oz magazine, and Sydney’s Eastern Suburbs Railway, then abandoned but later built.
The co-writer is the distinguished Australian novelist and activist Frank Hardy (1917-1994). Both Hardy and Shearston appear in the song’s Australian copyright details. The sheet music credit is words by Frank Hardy; additional words and music by Gary Shearston as in the song’s US copyright.
According to Edgar Waters, in his liner notes to Australian Broadside, Frank Hardy showed Gary Shearston new words he had written for a song that was originally about Kingston Town, Jamaica (see below for more details).
Shearston worked on the melody and changed some of the words, taking on suggestions from friends and ideas from other songs. Waters concludes that Sydney Town, in its present form, is very much a collective effort.
In 1964, apparently unimpressed by Shearston’s alterations, Hardy published the lyrics, as he had written them, in Folk magazine Australian Tradition. It is instructive to compare them with the lyrics on Shearston’s recording. For example, Shearston has added a verse about Oz magazine, and one about going down to King’s Cross for sex (that one was contributed by an audience member at a Shearston concert).
Both lyrics have the refrain The more they try to keep me down / The better I live in Sydney town.
See also Gary Shearston – I Get A Kick Out Of You.
Further reading: 1. Garyshearston.com, including the page on Australian Broadside. Go to Album notes part 3 for a more detailed discussion of Sydney Town by Shearston’s mentor Dr Edgar Waters. 2. Frank Hardy’s lyrics and footnote from Australian Tradition magazine, republished at Union Songs. 3. For some finer details about Shearston’s early career see “Key players on the Sydney coffee lounge scene” by Malcolm J. Turnbull (not the ex-PM) at Warren Fahey’s folklore website. 4. Malcolm C. Strong’s entry on Gary Shearston in The Great Folk Discography includes a good biographical summary [digitised copy at Internet Archive]..
“Sydney Town” banned on radio station, April 1965. The station didn’t like the way the song lampoons sponsors’products. Singled out was the line Rinso: keep Australia white, a whimsical linking of Australia’s White Australia immigration policies with a well-known laundry detergent. Full story here.
(Frank Hardy*) Australia
#9 Sydney
Single on Columbia [YouTube] by West Australian singer, songwriter, artist and TV entertainer, resident in the UK since the early 1950s. His best-known song is Tie Me Kangaroo Down Sport (1960), a hit in Australia, UK and USA.
* As noted above, Sydney Town originated in lyrics by Frank Hardy, later reworked by Shearston. The credit to Frank Hardy alone on Rolf Harris’s record makes sense because Harris follows Hardy’s published words more closely. He changes some words and rearranges two verses, but it is mainly Frank Hardy’s song.
Of Hardy’s eight verses, Harris sings the first five, but instead of Hardy’s sixth verse about going on strike, Harris starts Shearston’s verse about King’s Cross. He comically baulks at the word “sex” in the first line and goes on to Hardy’s eighth and seventh verses (in that order). In those verses, Sydney folk venue the Troubadour is replaced by TV’s Mavis Brampton Show, and “monopolies” is replaced by “big-wigs”.
The final score: Frank Hardy’s printed version has eight verses, Gary Shearston’s has eleven, and Rolf Harris’s has seven from Hardy plus the false start on Shearston’s King’s Cross verse.
(Frank Hardy - Gary Shearston - Rolf Harris)
Canada
Single on Capitol, recorded and released in Canada. Rolf Harris adapted Sydney Town with topical Vancouver references.
Harris often performed in Vancouver and had spent about seven months there from February 1961, just as the lyrics say: I hit Vancouver in the blazing sun, on the 9th of February ’61.
He also recorded Vancouver Town ’71 (1971, #5 on CKLG’s survey), and Vancouver Town ’73 (1973).
♫ Listen to Vancouver Town ’71 at YouTube
Further reading: 1. Guy MacPherson interviews Rolf Harris about ‘Vancouver Town’ and his Canadian connections at What’s So Funny. 2. ‘Vancouver Town’ commentary at Vancouver Pop Music: Signature Sounds.
(Frank Hardy) Australia
Original published lyrics
As outlined above, Frank Hardy showed these lyrics to Gary Shearston who reworked them and eventually released his well-known recording of Sydney Town.
Presumably in response to Shearston’s performances of the song, Hardy published the lyrics in Australian Tradition in 1964 with this footnote: This is the original version of Sydney Town as written by me. Folk singers and others who add new verses and variations do so at their own risk. Frank Hardy.
Source: Full lyrics at Union Songs.
According to Dr Edgar Waters in the album liner notes to Gary Shearston’s Australian Broadside (1965), a friend of Frank Hardy had given him “a recording by a calypso singer, about the white ‘aristocrats’ who tried to keep him down where he belonged – in the slums of Kingston Town“. Hardy then adapted the song as Sydney Town.
Bob Rogers retells the story in a March 1965 Sydney Morning Herald column and includes the original refrain with Kingston instead of Sydney: The more they try to get me down / The better I’ll live in Kingston town. Shearston is quoted, but throws no extra light on the song’s origins.
I haven’t been able to identify the unspecified singer or song, or a record release, in spite of extensive searches. Of course the word recording does not necessarily mean a released record. It could mean a private tape recording which would be impossible to trace.
Copyright registrations for Sydney Town in Australia and the US show only Hardy and Shearston as writers. However, Kingston Town (if that was its title) could have been an obscure, orally transmitted song with no other known composer to credit.
It should be noted, too, that this origin story appears to be anecdotal, and neither the 1965 liner notes nor the March 1965 SMH column has any further details about an original calypso singer or the song’s composer.
Red herrings: Searches tend to throw up results for Harry Belafonte’s Jamaica Farewell (I had to leave a little girl in Kingston town) or UB40’s Kingston Town (originally by King Creator), neither of which is any help.
(Frank Hardy - Gary Shearston) Australia
Later version
Track on Foot To The Floor Hardcore by Cronulla NSW hardcore band with metal and punk influences, formed late 1990s, also known just as Throwdown.
Kyle Horton (v, b) and Bevynn Wilkerson (g, v) are credited as writers in this four-piece band that included Adam (g, v) and Anthony (aka Trousers) (d).
The reference for this version was Rolf Harris’s recording.
SCHC stands for South Coast Hardcore, referring to the band’s origin in the Sydney beachside suburb of Cronulla. They were influenced by the Venice, California skate scene with bands such as Suicidal Tendencies (who they supported on tour), Excel, and Uncle Slam.
Thanks to Kyle from Throwdown SCHC for some additional details. Hope I got it right.
Disambiguation
1. American hardcore band Throwdown from Orange County CA is a different band, formed around the same time.
2. There is no connection with SCHC (Second City Hardcore), the Birmingham UK hardcore scene.
Sources, further reading:
1. The band’s now defunct website had an account of the band’s formation and activity [archived pages]. They still have a Facebook page which appears to be inactive (2026) after a couple of posts in 2021.
2. Throwdown discography at Discogs.com.
3. Chris Spencer et al Who’s Who of Australian Rock (2002).
Pop ArchivesAustralia's premier song history site since 2004
Website by Lyn Nuttall. © Lyn Nuttall 2004-2026. Chart positions courtesy of Gavin Ryan’s Australian Chart Books and Dean Scapolo’s Complete NZ Music Charts. Special thanks to Terry Stacey for information, corrections and suggestions. Thanks also to Tony Watson, Philippe Edouard, Dave Overett.., More…
