Single on His Master’s Voice May 1968 by popular New Zealand band from the Hutt Valley area, formed 1967, disbanded 1971. Produced by Howard Gable.
Spinning, Spinning, Spinning (1968, #1) and The Grooviest Girl In The World (1969, #3) were the highest charting out of five Top 20 singles for The Simple Image 1968-69. See also Shy Boy, the B-side of Spinning, Spinning, Spinning.
In the core line-up were vocalist-guitarists Barry Leef, Ron “Cass” Gascoigne and Harry Lek. On drums was Alan Gordon, later replaced by Gordon Wylie (1968) then Wayne Allen (1969). In 1969 Doug Smith replaced Barry Leef who had left to work in Australia, and keyboardist Bruce Walker also joined.
The band worked in Australia from 1969, picking up a residency at prominent Sydney club the Whisky Au Go Go. Barry Leef, who had been with NZ band Retaliation in Sydney, rejoined The Simple Image.
♫ Listen at YouTube
As Bruce Sergent tells it, the band adopted a very ‘mod’ image, with their stage uniform always consisting of navy blue capes with pink lining, floral shirts, bell-bottomed trousers and Cuban-heel boots.
Barry Leef followed a long and successful musical career in Australia. After The Simple Image disbanded he sang in Perth rock band Bakery (formed by ex-members of NZ’s Avengers). The Barry Leef Band, first formed in the 1970s, was still playing live classic rock gigs well into the 2020s. As a session singer, Leef has recorded many familiar jingles for TV and radio. His website is at barryleef.com.au and his Facebook page is active with posts of recent performance videos (2024).
My brief summary of the band’s personnel changes is gleaned from Bruce Sergent’s Simple Image page and AudioCulture’s illustrated history of the band. Both are essential reading if you want to dig further.
Single on Warner Bros May 1967 by The Ballroom: Curt Boettcher, Michele O’Malley, Jim Bell and Graham “Sandy” Salisbury, produced and co-written by Boettcher.
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The writers
Both writers were associated with hits by The Association.
Curt Boettcher (1944-1987) produced their first hit Along Comes Mary (1966, #7 USA) and was influential in developing it for recording although he was not credited as a writer. He also produced their second hit Cherish (1966, #1) and their debut album.
Folk singer and songwriter Ruthann Friedman (b. 1944) wrote Windy (1967, #1) The Association’s first hit on Warner Bros.
In later years, Boettcher became a favourite amongst aficionados of the retrospectively named genre of Sunshine Pop.
In a project coordinated by Gary Usher, Boettcher and engineer Keith Olsen created an ambitious and influential album Begin (1968) by Millennium, a studio outfit assembled for the occasion that included Ballroom member Sandy Salisbury.
Boettcher also contributed extensively to Gary Usher’s studio project Sagittarius as composer, arranger, co-producer and performer. As Spectropop.com’s review puts it, Sagittarius’s album Present Tense (1968) chronicles the epitome of California sunshine rock and the Summer Of Love – it’s the sound of the Mamas and Papas, the Beach Boys and Claude Debussy having an Easter egg hunt on Phil Spector’s lawn.
Essential reading: Spectropop’s Curt Boettcher Page