Single on Interfusion (also in NZ), and in UK on Pye International. Charted Top 100 in the USA (single on Uni).
Recorded in Britain by English-born singer whose career kicked off as a teenager in Australia, where she had lived since the age of five.
The deep male voice on the recording belongs to Mike Sammes.
Arranged and produced by expat Australian John Farrar (ex-Mustangs and Strangers) and Bruce Welch (ex-Shadows), who in 1971 were members of Marvin, Welch & Farrar with ex-Shadow Hank B. Marvin.
From a popular bluegrass song of the 1930s, based on a traditional song.
Track on the W&G album Lenore Somerset Sings by Melbourne-based folk and country singer often seen on popular TV shows in the 1960s. Lenore Somerset (1931-2006), née Miller, was from Queensland but moved to Melbourne in the late 50s. As a child she recorded with her uncle, the C&W singer Buddy Williams, and she had been with the Queensland Opera before moving to Melbourne.
Reference, further reading: 1. Singing Jillaroo Hit High Folk, C&W Notes, obituary in Melbourne Age, 27 October 2007, republished here. 2. Warren Fahey, The Early Years of the Folk Revival in Melbourne at WarrenFahey.com.
Thanks to Bill Casey for version alert.
Notable recording of traditional song.
Appears on several Joan Baez albums, including Folksingers Around Harvard Square (1959) and Joan Baez Vol. 2 (1961).
Olivia Newton-John cites Joan Baez as one of her favourite artists.
10-inch 78 rpm disc on Bluebird.
Kentucky mandolinist and band leader Bill Monroe (1911-1996) with his guitarist brother Charlie (1903-1975).
This archived page from the now-defunct Ballads from Deep Gap, NC and Okemah, OK points to the similarity with two other traditional songs, The Lone Green Valley and Omie Wise.
On The Banks Of The Ohio has been recorded, for example, by Johnny Cash (Carter Family) 1964 (album Keep On The Sunny Side); Tony Rice 1977; Elliott Murphy 2003 (album Strings of the Storm); Bill Monroe & Doc Watson (album Live Duet Recordings 1963-1980) and numerous others.
When the Monroe brothers’ duo broke up in the late 1930s, Bill formed Bill Monroe & His Blue Grass Boys. His development and popularisation of bluegrass music earned him the nickname The Father of Bluegrass.
This 1936 version was heard in the soundtrack of Paper Moon (1973), the Peter Bogdanovich film with Ryan and Tatum O’Neal.
The Blue Sky Boys were the Bolick brothers, Earl and Bill, a hillbilly duo with guitar and mandolin from East Hickory, North Carolina. They flourished in the 30s when they recorded prolifically, and continued after war service until 1951. In the 60s some of their recordings were reissued on LP and they returned to touring for a few years.
The brothers were highly regarded, including by The Everly Brothers who cited them as an influence.
Further reading: Blue Sky Boys Biography by David Vinopal at All Music.
To be precise, the original recorded version, from 12 August 1927 in Charlotte, North Carolina.
Second Hand Songs places the actual release in February 1928 and lists 175 versions since then.
12-inch disc on Victor 35874.
Of course the song goes back further than that.
Sources, further reading: 1. Second Hand Songs. 2. The Originals. 3. DAHR.