Produced by band keyboardist Rory Thomas.
Heart'n'Soul later recorded for Festival's progressive label Infinity (1971).
Recommended reading: The definitive band history is at Milesago, including full personnel and discography.
Thanks to Tertius Louw for his help with sorting this page. Any remaining confusion is mine, not his.
Quentin E. Klopjaeger was a pseudonym of frequently charting South African singer-songwriter-producer William Boardman, best known as Billy Forrest but sometimes working under other names.
Although Billy Forrest released records in the early 70s using the name William E, he is not the William E who recorded the original version of Lazy Life (see below).
Billy Forrest brought Lazy Life back from London where he'd gone as one half of the popular South African folk-pop duo The Dream Merchants. They had been set to record with British Decca but as a result of British Equity's policies against apartheid they were refused work visas.
Albert Rossi, studio drummer at Troubadour Records recalls: Billy [gave] us musicians all a copy of the UK version of this number to take home and listen to and to let him know what we thought. (Comment at Garage Hangover.)
The recording of Lazy Life started out as a session with The Gonks, produced by Billy Forrest. The Gonks did not go ahead with the project, but the completed backing track was used in the final release.
It may not be as straightforward as that. At Garage Hangover, Rod Aitcheson of The Gonks and Troubadour Studios session drummer Albert Rossi (among others) have discussed the recording process and studio personnel, while trying to clear up some loose threads in the story.
Further reading: 1. The Gonks at Garage Hangover. Don't skip the comments thread. 2. The Billy Forrest blog by Tertius Louw and Brian Currin collects more information than you'll find anywhere else, and includes contributions by Billy Forrest himself. 3. Quentin E. Klopjaeger discography at South African Rock Encyclopedia, and the Billy Forrest page at that site.
Single on Polydor, August 1967, by British singer-guitarist William E. Kimber, aka Bill Kimber. He had been in Bill Kimber & The Couriers, a London band that worked in South Africa 1963-64 when they were managed by Frank Fenter.
Fenter (1936-1983), a South African based mainly in London, also managed British band Les Fleur de Lys whose bass player Gordon Haskell wrote Lazy Life.
It had been Fenter who arranged for Bill Kimber (William E.) and his band The Couriers to tour South Africa in 1963. They made a big impression as a fresh new British band in the emerging Merseybeat style, and stayed on 1963-64, recording for South African label Renown, and starring in Africa Shakes, a musical film co-written by Fenter.
Frank Fenter was also an actor and music publisher, and from 1966 was an effective managing director of Atlantic Records in Europe.
Sharon Tandy: This
highly-regarded soul-styled singer from Johannesburg (Sharon Finkelstein, 1943-2015) was associated with all the main players in the early history
of Lazy Life. She was discovered and managed by Frank Fenter, and before moving to London
in 1964 she toured and recorded with Bill Kimber & The Couriers and appeared in Africa Shakes. In London, Tandy and Fenter were
married for a time, and she followed an acclaimed career that included releases on Pye, Mercury and Atlantic, singing with Fleur De Lys and
recording at the Stax studios in Memphis. She returned to South Africa in 1970 where her recordings included dueting with Billy Forrest.
More about Sharon Tandy: 1. Sharon Tandy page at Ready Steady Girls. 2. Sharon Tandy entry at Wikipedia. 3. Alex Palao's appreciation at Ace Records and his personal tribute to her.
References, further reading: 1. Bill Kimber & The Couriers discography at SA Rock Encyclopedia. 2. Bill Kimber & The Couriers at Old Melodies' Music Archive blog. 3. Frank Fenter entry at Wikipedia. 4. Africa Shakes at SA Rock Encyclopedia and at IMdB. 5. Les Fleurs de Lys at The British Beat Boom [archived page]. 6. Gordon Haskell's website. 7. Garage Hangover's page on South African band The A-Cads touches on the history of Bill Kimber & The Couriers since Dick Laws of The Couriers returned to South Africa to join The A-Cads when they formed in 1965.