Single on Festival by Abigail, British-born soapie star, full name Abigail Rogan, famous in Australia as Bev Houghton in popular TV drama Number 96.
Produced by Martin Erdman. Also on album Abigail (1974).
Further reading: Abigail entry at Wikipedia and filmography
at IMDb.
Thanks to Terry Stacey and to Dunks at Milesago.
Merci à Philippe Edouard pour ses multiples contributions à cette page.
Reminiscent of ‘Je t’aime (I Love You)’ by Abigail, but not the same song.
Single on Vogue by Belgian singer who released a handful of singles 1969-73 but whose biography remains elusive. Also released in Brazil (1974).
Not so much a cover version as a Variation on a Theme of Gainsbourg, the writing credit is entirely to Belgian musician-composer-producer Eddy Govert (b.1949 Eddy Van Mouffaert).
♫ Listen at YouTube
The result is surprisingly likeable, and it clearly has its fans in Belgium and Brazil. At a YouTube video for the track (now removed) an enraptured Portuguese-speaking commenter reminisced at length about hearing the song in 1975.
Reference: Discogs.com (start here).
Single on Parlophone, an instrumental version of Serge Gainsbourg’s Je t’aime… moi non plus, produced by Gus Dudgeon with manager Tony Hall, and arranged by Paul Buckmaster.
Sounds Nice was a British studio band assembled to record a broadcast-friendly version of Je t’aime… which was considered controversial at the time. “Sounds nice” was reportedly Paul McCartney’s remark on hearing the single.
Love at first sight is an alternative English title, not a translation of the French title (jump below for more details).
Tim Mycroft (1948/9-2010), out front on organ, was from Christchurch in Dorset. He played in several local bands in the 1960s and was a fixture on the Dorset music scene of the 60s according to Bournemouth Beat Boom. Further afield, he was in Thursday’s Child, and had been in The Gun (before their hit Race With The Devil). Mycroft later recorded an album of library music with guitarist John Gibson (1970), and released a Parlophone single in his own name (1971). After that he returned to family life in Dorset and was well known for his work in local bands.
There was a second Sounds Nice single and a self-titled album, both in 1969.
Personnel:
Tim Mycroft (keyboards)
Paul Buckmaster
(strings)
Chris Spedding
(guitar)
Herbie
Flowers (bass)
Brian Odgers
(bass)
Clem
Cattini (drums)
This is an impressive line-up. Follow the links for details at AllMusic.
Named by Paul McCartney, Sounds Nice in fact comprises an organist, an arranger, a producer and a manager… plus the funkiest set of session musicians available on the days (or generally nights) of recording. The organist? Tim Mycroft: 22, former child chorister, ex-member of a ‘heavy’ progressive group The Gun.
Liner notes, ‘Sounds Nice’ the album Dec 69
Sources, further reading: 1. Vernon Joynson, The Tapestry of Delights (1996 edition ). 2. Bournemouth Beat Boom’s Tim Mycroft page has a detailed biography, a discography, and a comments thread with posts from Mycroft’s wife and daughter.
Thanks to John at Bournemouth Beat Boom.
This was recorded in London , produced by Fontana records’ Jack Baverstock, with an arrangement by the notable British arranger-conductor-composer Arthur Greenslade (1923-2003).
It was released in France on Fontana, February 1969 (also on AZ). In the UK it was on Fontana June 1969 and on Major Minor October 1969. Also released in numerous other countries.
This was Gainsbourg’s second recording of Je t’aime… moi non plus after the first version with Brigitte Bardot was withheld (see below).
• Serge Gainsbourg: brilliant, influential and sometimes outrageous French composer, producer and performer
(1928-1991).
• Jane Birkin: English-born actor in France (1946-2023),
Gainsbourg’s partner from the late 60s and
throughout the 70s, mother of Charlotte
Gainsbourg.
This soft instrumental with make-out dialogue was controversial at the time, and it was inevitably added to the list of tracks the BBC would not play. It had already charted at #2 in the UK when the original British label Fontana dropped it, but it went to #1 on another label, Major Minor.
The title
Je t’aime… moi non plus is a bit of French whimsy that seems to translate as I love you, neither do I. There is a
widespread idea that the title comes from a comment by Salvador Dali about Pablo Picasso: Picasso est Espagnol, moi aussi – Picasso est un genie, moi
aussi – Picasso est communiste, moi non plus. See, for example, this review of Pere Francesch Rom’s book Gainsbourg i Dalí,
moi non plus. Universal Music’s French website, however, claimed that Serge was unaware of Dali’s words when he wrote the song (page now defunct).
Further reading: 1. The English Wikipedia article on Je t’aime… is quite detailed. 2. French Wikipedia adds a partial list of other versions (reprises). 3. Last time I looked, Second Hand Songs was listing 127 versions and variations.
We made it, very boringly, in the studio in Marble Arch, both of us in sort of telephone cabins
Jane Birkin, refuting the idea that Je t’aime… moi non plus was a recording of a sex session
Original unreleased vocal version.
Recorded in 1967, this was originally withheld at Brigitte Bardot’s request then recorded with Jane Birkin (1969, above).
It was finally released in 1986 on a Philips single and on Il les fait chanter ! (he makes them sing), a compilation LP of Gainsbourg compositions recorded by women, some as duets with Gainsbourg.
The arrangement …
is by the distinguished French composer Michel Colombier, known especially for his numerous film and
ballet scores and for his arrangements for prominent artists in France, then in the US where he was signed to A&M records.
Brigitte Bardot, sometime lover of Serge Gainsbourg, recorded several of his songs, including Harley Davidson and Bonnie and Clyde. Serge’s own recording Initials B.B. is his tribute to her.
The title is Je t’aime moi non plus, without the ellipsis […] seen on other versions.
On the LP the artist name is Brigitte Bardot – Serge Gainsbourg, on the single Bardot – Gainsbourg.
The album was in March 1986. I have no month for the single.
The melody of Je t’aime… moi non plus was first heard in two French films in 1966:
• Jacques Poitrenaud’s Carré de
dames pour un as
• Edouard Luntz’s Les coeurs verts
Carré de dames pour un as was released in the US as An Ace and Four Queens and (for TV) Four Queens for an Ace.
Jean-Pierre Sabar arranged instrumental versions for the soundtrack of the 1976 feature film Je t’aime moi non plus, written and directed by Serge Gainsbourg and starring Jane Birkin and Joe Dallesandro.
Included are the alternatively titled Je t’aime moi non plus au lac vert and Je t’aime moi non plus au motel.
The melody is heard during a ballroom scene (played by French rock band Au Bonheur Des Dames). You could say this echoes the tune’s ultimate origin in cinema as Scène De Bal 1 (1966): see above.
On CD single The World’s A Girl on UK label Mute June 1995. Recorded and mixed in Australia, also released in Germany, and on Liberation in Australia. A 45 rpm single was also released in UK.
English lyrics for Je t’aime… moi non plus are by Mick Harvey whose longtime collaborator and bandmate Nick Cave contributes vocals. Harvey played on the track and produced it.
Melbourne singer Anita Lane was long a part of the same creative circle, often linked with Cave or Harvey through songwriting, performing or production, and through her brief membership, along with Harvey, of Nick Cave And The Bad Seeds.
Related releases:
• A longer edit of this track was on Mick Harvey’s album Pink Elephants (1995). Its liner notes say
“I Love You….Nor Do I”: Originally released on the Anita Lane single “The World’s A Girl”. Pink Elephants was the second of four
albums Harvey released of his translations of Serge
Gainsbourg compositions. The other three were Intoxicated Man (1995, subtitled as as Songs of Serge Gainsbourg sung in English by Mick
Harvey & Anita Lane), Delirium Tremens (2016), and Intoxicated Women (2017).
• Harvey’s Intoxicated Women included a German version
Ich Liebe Dich…Ich Dich Auch Nicht, with vocals by Andrea
Schroeder, translated with the assistance of Lyndelle-Jayne Spruyt.
The versions listed below are all parodies or droll variations of “Je t’aime… moi non plus”:
Single on Disques Vogue by Jean Sarrus (b. 1945) of French comedy band Les Charlots with his wife, English singer-dancer Janet Woollacott (1939-2011). The composers Gérard Filippelli and Gérard Rinaldi were also members of Les Charlots (below).
Further reading: Jean Sarrus at fr.wikipedia.org and Janet Woollacott at en.wikipedia.org.
Single on Pathé by Bourvil, French singer and film star, mainly in comic roles (André Robert Raimbourg 1917-1970) with Jacqueline Maillan (1923-1992), the distinguished French stage actress, also in films. Gainsbourg contributed to the parodic lyrics.
Even if you don’t understand French, the contrast with the original is clear and the humour shines through.
Single on Disques Vogue by French comedy band also known to English-speaking audiences as The Crazy Boys. They had already been successful as a rock band called Les Problèmes (formed 1965) who recorded and performed with French singer Antoine.
The band’s name is a reference to Charlot, the French name for Charlie Chaplin‘s film persona The Tramp. Sois Erotique = be erotic.
This record parodies not only Je T’Aime… Moi Non Plus and 69 Année Érotique but also the creator of both songs, Serge Gainsbourg.
Further reading: Les Charlots at en.wikipedia.org.
British reggae/ska artist and deejay, successful in Jamaica as well as in the UK, real name Alex Hughes (1945-1998), whose records were routinely banned for radio play in Britain. His comic variation of Serge’s dialogue is consistent with that reputation [YouTube].
See also Judge Dread’s version of The Hokey Cokey.